Domenichino
1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
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Domenichino The Assumption of Mary Magdalene into Heaven oil painting


The Assumption of Mary Magdalene into Heaven
1620 The Hermitage, St.Petersburg
Painting ID::  982 		Domenichino
The Assumption of Mary Magdalene into Heaven
1620 The Hermitage, St.Petersburg
   
   
     
Domenichino The Repose of Venus oil painting


The Repose of Venus
The Hermitage, St.Petersburg
Painting ID::  983 		Domenichino
The Repose of Venus
The Hermitage, St.Petersburg
   
   
     
Domenichino Landscape with Tobias Laying Hold of the Fish oil painting


Landscape with Tobias Laying Hold of the Fish
1617-18 National Gallery, London
Painting ID::  984 		Domenichino
Landscape with Tobias Laying Hold of the Fish
1617-18 National Gallery, London
   
   
     
Domenichino Portrait of Cardinal Agucchi oil painting


Portrait of Cardinal Agucchi
1605 Galleria degli Uffizi, Florence
Painting ID::  985 		Domenichino
Portrait of Cardinal Agucchi
1605 Galleria degli Uffizi, Florence
   
   
     
Domenichino The Maiden and the Unicorn oil painting


The Maiden and the Unicorn
1602 Palazzo Famese, Rome
Painting ID::  986 		Domenichino
The Maiden and the Unicorn
1602 Palazzo Famese, Rome
   
   
     
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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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